Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated. 出(📐)(chū )租(🕯)车(chē )司机栗花的(🎁)(de )丈夫(fū )因车祸(huò(🚄) )去世(shì )。栗花(huā )与(🔎)儿(ér )子张明(míng )明(📼)的(de )关(🙍)系紧(jǐn )张，为(🤦)得到(♉)(dào )儿子的承(📂)认(rèn )，她决定做儿(🍠)子崇拜的英雄。她(🎥)化身(🕣)出租女侠惩恶扬(🚍)善，无意中招惹了(🚁)贩卖人体器官的(🙁)组织。栗花最终打(📗)败邪恶组织，成为(💳)儿子(➕)(zǐ )敬爱(ài )的(🎾)母亲(🐆)(qīn )。 该(gāi )片是(🏚)以(yǐ )现在(zài )的 商(📫)界(jiè(👮) )奇才(cái )“史玉(😐)(yù )柱(💵)”为原型(xíng )人物(wù(👁) )的创业(yè ) 故事(shì(🍎) )进行多次改(gǎi )编(🤳)而(ér )成。 An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II A romantic thriller that explores the emotional aftermath of a one-night stand (and the inherent risks of hook-up culture) as a lonely man imagines what life might be like with a mysterious stranger he picks up on the New York City subway. 法(fǎ )国《电(🏖)影手(🚍)(shǒu )册》2018年度期(📢)(qī )待(🔀)榜(bǎng )单重点(👝)(diǎn )推荐(jiàn )影片之(🦐)(zhī )一，影片采(cǎi )用(🦀)16mm胶片(💼)拍摄，具有极致的(😏)迷幻色彩，影像超(😤)级大胆，故事讲述(😑)5个热爱艺术的“野(📖)小子”的罪恶之行(🐼)，让人(🦌)想到库布里(🎴)克的(🀄)《发条(tiáo )橙》，而(🔰)这(zhè )5位“野小子(zǐ(🐣) )”则(zé(💔) )正由5位(wèi )女(📪)演(yǎ(🌘)n )员“扮(bàn )演”，涉及(jí(🍗) )到了(le )不少情(qíng )色(🥈)元(yuán )素，探讨了(le )性(🅾)别(bié )结构。 Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea. 成长(zhǎ(👧)ng )中父(🤙)母(mǔ )也在(zà(🏢)i )日渐(💬)变(biàn )老，我们(🍞)会(huì )把这(zhè )样或(🌿)那(nà )样的无奈当(🥨)(dāng )做(🧗)借口，而忽视他们(⌚)的心理或身体的(🛂)健康状况，当问题(🔁)严重时我们又会(⚡)悔恨自己的冷漠(👠)和粗(😔)心，孩子和父(🤷)母之(🖋)间永远存在(🥦)一种不(bú )公平，而(👜)这(zhè )种不(bú )公平(♎)却(què(🌪) )又以(yǐ )一种不(bú(🛴) )协调(diào )的姿势(shì(🤑) )，却(què )又很和(hé )谐(😟)的(de )存在着(zhe )………(🙈) 青年画家(jiā )岸春(♌)自小(🍧)在(zài )内蒙(mé(🛸)ng )古长(⬛)大(dà )，当(dāng )地(🍆)的风(fēng )土人(rén )情(🍁)造就(💍)(jiù )了他(tā )的艺术(🥐)(shù )才华。然而(ér )在(🔺)他的内心一直有(🏙)着一块难以抚平(🧤)的伤痕，过早缺失(🖖)的母(♊)爱让这位人(🍬)前光(🏅)鲜的艺术家(🚨)在情感里陷入迷(🕠)失，常以酒精为伴(🎼)麻醉(🏢)自我(wǒ )。当受一位(🛢)(wèi )蒙古(gǔ )老人所(🏘)(suǒ )托，为他英(yīng )年(🏰)早(zǎo )逝的母(mǔ )亲(🌭)画(huà )一幅肖(xiāo )像(🍯)，这个(🈵)母(mǔ )亲的(de )肖(🎲)像却(🥅)怎么(me )都画不(😄)出神(shén )。对(duì )于母(😔)爱(à(🦓)i )缺少(shǎo )感触与(yǔ(🚭) )理解(jiě )，成了(le )他无(🌉)(wú )法落笔(bǐ )的难(🕋)题。心(xīn )烦意乱之(⏪)时，岸春遇到了单(😌)身妈(🛢)妈如西，如西(🛡)和儿(🥏)子的温情不(🌓)仅让他感受到母(👑)爱的温暖也让他(🛩)找寻(🔝)到了爱情的味道(✡)。但是，母亲(qīn )到底(🛷)为什么(me )会从(cóng )小(🙏)抛弃(qì )自己(jǐ )，在(🥑)日(rì )日夜(yè )夜的(🚇)叩(kò(🖌)u )问中(zhōng )，也在(🛷)(zài )如(📈)西(xī )的介入(🌰)(rù )下，似乎有了意(🕜)(yì )想(🐁)不到的答(dá )案，岸(✉)春也(yě )踏上(shàng )寻(🥘)母之(zhī )路。母亲的(🔺)(de )肖像(xiàng )到底能(né(🗾)ng )否兑现给蒙(méng )古(📏)老人(🤖)的期盼？岁(😓)月里(🎞)母爱的真相(🍰)会怎样揭开？原(👙)来，岸春的母亲一(⌚)直以(🤺)一个特殊的身份(😕)出现在他的生活(🏅)里！面对时间、面(⛳)对生命的脆弱多(⏭)(duō )变，只想向(xiàng )岁(📟)月(yuè(❣) )祈求，时光(guā(📸)ng )你慢(🔒)些(xiē )走，让儿(🐾)子(zǐ )还能(néng )记下(🌠)母(mǔ(🔯) )亲的(de )容颜......