藝(yì )術(🤚)家(jiā(🍿) )自古皆寂(jì(📵) )寞或(huò )許是(♓)境界，人到(dà(👬)o )中年(nián )萬事(🚅)憂則是現(xià(🏕)n )實。在畫室洋(🚹)洋(yáng )灑灑(sǎ(🚵) )呈現自由雄風的(de )裸男畫作令他(tā )一舉(jǔ )成名，在家面對(duì )前妻懷着新歡(huā(🦎)n )骨肉(ròu )、與(🐋)女兒相處尷(🛸)(gān )尬卻(👶)(què )令(🐸)他一籌(🐪)莫展(🏝)(zhǎn )。貝蒙特的(⏯)寂寞(mò )，在(zà(🤭)i )於如何在著(✔)名畫(🖥)家與單(🛫)親爸(⛰)爸(bà )雙(🌑)重(chó(🦈)ng )身份、(⛓)藝術(🤜)創作(zuò(🕒) )與家(📮)庭生活之(zhī(🌚) )間取(qǔ )得平(🎋)衡。維羅（《電(✳)(diàn )影(🐛)就在街(🤩)(jiē )角》，35 屆）找(😥)來合作(zuò )多(🚇)年(nián )的編劇(👈)兼美指(zhǐ )好友對號入座，還原(yuán )藝術家有血有肉(ròu )的矛盾本(běn )性，在出(chū )世(👴)與入世的兩(🚧)難(nán )外，毋忘(🤞)點點(diǎn )超現(❎)(xiàn )實的(🍤)幽默(🈯)。 这部(bù )电影(💲)(yǐng )的故事背(🏴)景让(ràng )人不(🐭)禁回(😼)忆起《逃(👙)出(chū(🙂) )绝命镇(🚒)》。一位(🎟)黑人男(🌌)性（(🉐)杰(jié )森(👙)·米(❗)切尔饰）在(🕸)周(zhōu )末的时(🔝)候，因(yīn )为觉(😃)(jiào )得(🎾)周围只(🐾)有白人(rén )朋(🔦)友(yǒu )所以觉(🗃)得(dé )十分(fè(😢)n )紧张。当然，这(zhè )部作(zuò )品与乔丹·皮(pí )尔去年那部符合(hé )大众(zhòng )口味的《逃(🌕)出绝(jué )命镇(🔓)》不(bú )同。智利(📠)(lì )导演塞巴(🥝)斯蒂安(🎅)(ān )·(🔫)席尔瓦是一(💰)(yī )个古(gǔ )怪(💣)的人，他的电(🎥)(diàn )影(Ⓜ)如(rú )《女(😆)仆》、(🧞)《水晶仙(💩)女》、(🌚)《肮脏(zā(🅰)ng )的婴(🥅)儿》都倾(🧛)向于(🚯)剑走偏锋，故(🔰)事(shì )开始会(📛)有点怪异(yì(📚) )，而之(⛔)后则会(😘)(huì )变得(dé )更(🍱)加怪异。这种(🧣)(zhǒng )风格(gé )对(🤷)于《周(zhōu )末生(shēng )日游》意味着什(shí )么呢(ne )？还不知道。但我们非常期待(dài )这种(zhǒ(🏎)ng )不确定性，况(🤾)且(qiě )演员阵(🛐)容(róng )中还(há(🅰)i )有克(kè(👨) )里斯(📂)托弗·阿伯(🕣)(bó )特、迦勒(💆)兰德(dé )里·(🌦)琼斯,迈克尔(🔇)·塞(⌛)(sāi )拉和(🐚)(hé )安(🛬)·道德(🤗)。 在(zà(🎾)i )芭蕾历(📀)史上(🏬)，柴(chái )可夫(fū(🐪) )斯基的《天鹅(🔵)湖》是最经典(🚵)的(de )作品(pǐn )之(🐞)一。一天夜晚(♓)(wǎn )，齐格弗里(🎹)德(dé )王子(zǐ(🤖) )遇见了一群天鹅(é )，其(qí )中一只变成美(měi )丽的姑娘奥杰塔(tǎ )，原(yuán )来她被恶魔罗斯巴特(✨)施了咒语(yǔ(♎) )，只(zhī )有真爱(🈺)的誓言(🅿)方(fā(🐜)ng )可打破魔咒(📐)。后来(lái )，罗斯(🌪)巴特让女(nǚ(👡) )儿奥吉莉亚(🍘)伪(wě(🐲)i )装成(ché(📻)ng )奥杰(😟)塔，欺骗(🈁)齐(qí(🌒) )格弗(fú(🤸) )里德(🗂)违背了自(zì(⏰) )己的誓言。但(😠)无(wú )论付(fù(👷) )出怎样的代(🐧)价，他都决心(🆘)要拯(zhěng )救奥(🐩)(ào )杰塔。利亚(😄)姆·斯卡利特让这(zhè )群天(tiān )鹅穿上了Tutu裙而非(fēi )舞团(tuán )原版的长裙，继舞剧《弗兰肯(kěn )斯(🛫)坦(tǎn )》之后他(📏)与设计师约(🍶)翰·麦(🔙)克(kè(💠) )法兰(lán )再次(🐠)联手打造了(📱)(le )一个辉煌的(😋)舞(wǔ )台。同时(🛫)，英国(🏈)皇家(jiā(🖥) )芭蕾(🎟)舞团排(🔸)出(chū(🌍) )了超(chā(🐉)o )豪华(⛑)阵容，首席(xí(🕘) )舞者(zhě )玛丽(🚆)亚娜拉‧努(🏈)涅兹同时饰(🈲)演(yǎn )纯洁(jié(📖) )的奥杰塔和(📣)魅惑的奥吉(🕓)莉亚，瓦季(jì )姆·蒙塔吉诺夫(fū )扮演齐格弗里(lǐ )德王(wáng )子，配角也由三(sān )位首(shǒu )席舞者(🔭)亚历山(shān )大(🤨)·坎贝尔、(🍸)高(gāo )田(🌇)茜(qià(😉)n )、弗兰切斯(🐬)卡·海沃德(🍻)和两位(wèi )首(📜)席(xí )角色演(🕋)员饰(📍)演。 Stefan Gabriel (Martin Wuttke) ist Bademeister und engagierter Vater zweier sehr unterschiedlicher Töchter. Die 12-jä(🚈)hrige Jessica (Ella Frey) wird wegen ihres wenig mädchenhaften Aussehens oft fü(🏭)r einen Jungen gehalten und hat mit einer ganzen Reihe Ticks zu kämpfen. Ihre drei Jahre ältere Schwester Sabrina (Emilia Bernsdorf) ist hingegen zwar hü(🍢)bsch, leidet aber unter einer schweren Krankheit. Im gleichen Maße, wie Sabrinas Zustand schlechter wird, werden Jessicas Ticks immer schlimmer, weswegen die jü(👾)ngere Schwester einen Plan ersinnt: Ein spezielles Ritual, auf das die Geschwister in einem Buch gestoßen sind, soll für Sabrinas Heilung sorgen, allerdings muss sie dafü(🔧)r Sex mit einem Jungen haben. Da ihrer älteren Schwester nur noch wenig Zeit bleibt, setzt Jessica nun alles daran einen Partner fü(⏺)r Sabrina aufzutreiben. Seventy-two hours from the final of an international female bodybuilding championship. Lea Pearl is set to compete for the prestigious title of Miss Heaven. But her past catches up with her when her ex-lover Ben shows up with the six-year-old son she hardly knows. Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!' Art dealer Trevor and his best friend Dante, an Italian/American fashion photographer, holiday in Capri where they both fall for Antonia, a local beauty. One of them marries her. Back in London Antonia is last seen in Regent's Park walking her Jack Russell terrier. The remains of a female body are recovered from Regent's Canal, and both her husband and his best friend are suspects in what increasingly appears to be a murder. This fast-moving story travels backwards in time. Exploration of the mystery of Antonia's fate follows twists and turns as hair-raising as the roads on the mountainous isle of Capri. The audience is ushered to the astonishing ending, proving along the way that the deepest mystery of all is that of the soul torn between desire and loyalty.